COLLECTING PEOPLE/ serie inversa

14Mar Senza categoria Comments disabled
Pinuccio Revello, La Causa del Nulla-Tavola Aurea copy

First meeting 2014

PINUCCIO RAVELLO

saturday  March 22 2014

4:00 pm

TRAM DIOGENE
C.so Regio Parco angolo C.so Verona, TORINO

Waiting for springtime, starts again Collecting People/ serie inversa’s scheduling, a tool by which Progetto Diogene carries out a survey on artistic practices in the process of consolidation in the Piedmont area. After a first phase of studio-visit, the artists who are chosen will have the opportunity to present their work publicly on the Tram Diogene, in ways that from time to time are considered more appropriate.

The first meeting of 2014, scheduled for Saturday, March 22 at 4.00 pm at the Tram Diogene (between C.so Regio Parco and C.so Verona), will feature Pinuccio Revello, artist from Cuneo born in 1968.
Pinuccio presents to the tram’s audience a part of his work, with a particular focus on the project La Causa del Nulla (The Cause of Nothing), the result of a series of considerations about the nature of things, from which the artist started to measure convergences and divergences between the notions of One and Multitude, at both formal and conceptual level.

“If we consider the concept of Multitude, this goes back to being the singularity of the multitude and then One, if we consider the form of One, this tends to be in the Multitude as an expression of the One.” P. Revello

Serie Inversa, just as Progetto Diogene’s other initiatives, lies within the training activities promoted by the group, aimed at acting and intervening on different latitudes of the development of an artist’s work. The Project doesn’t mean to draw up an all‐embracing list of artists working in the territory, but it does mean to give some of them adequate conditions to start a path of self‐training together with the art collective Diogene Serie Inversa arises, therefore, from a need perceived by Progetto Diogene: the activation of a new polarity, trying to go directly to the studios or other artist’s places – even mental- to acquire a knowledge of the works not just through the author’s words through the space where they actually “take place”.