Serie Inversa_exh#02

8Jul Senza categoria Comments disabled
Pinuccio Revello, La Causa del Nulla-Tavola Aurea copy

FRANCESCA FERRERI / PINUCCIO REVELLO / ARIANNA UDA

friday july 8th 2014
h 18:00

via Poliziano 32, TORINO

The collective of artists Diogene is pleased to invite you to the exhibition Serie Inversa_Exh#02 by Francesca Ferreri, Pinuccio Revello and Arianna Uda, that will open on Friday, July 8th at 6.30 p.m. The three artists have been chosen among the participants in Collecting People / Serie Inversa, meetings open to the public at the tram on a regular basis with whom Project Diogene focuses on art practices of the territory.
Serie Inversa_Exh#02 is the second of a series of exhibitions that draw from this survey to give the chosen the possibility of producing a new project, and, through moments of discussion and debate among artists and members of the Group, to let it into a process of objectification and public restitution. For this second edition the exhibition place will be the space in Via Poliziano 32 in Turin, a location that hosted no former exhibitions, specifically identified by Diogene for the occasion.

Francesca Ferreri (Savigliano,1981) will present aspects of her recent research approaching different media. Eterocronie (integrazioni) is a series of small sculptures whose process is carried on by the artist since 2013. “Reconstructions” of imaginary objects, made using a particular conceptual process drawng from both the field of neuroscience and that of conservation. The papers of a notebook with columns are the scope of intervention of the project Quaderno a Cancelli, on which Ferreri reflects on the theme of limits and its possibilities by mimetic ink actions.

Pinuccio Revello (Cuneo,1968) will exhibit some results of his project La Causa Del Nulla. Starting from a dizzy number scale that the artist has built over the years, the work will find concreteness in the form of sculptures and videos, to provide points for reflection philosophical and mathematical at the same time.

The three works by Arianna Uda (Alba, 1985) will dialogue with each other in a game of suspension and acceleration, generating an intersection of language and emotional suggestions. Suspended moments where anything can (still) happen, “banalities” of daily life that can become the decisive moments for inspiration and places thought to isolate the individuals at the height of their being community.